Critical Reviews

painted tree in cemetery

“Landscape emerges as a symbolic space through which Wakoa claims the gendered tradition of painting en plein air not as a repertory of forms, but as a pictorial code open to reinvention. Thus affinities with van Gogh’s cypresses in Front Garden at Night, Monet’s Parisian steam clouds in the billowing pistachio green canopy of Trinity Cemetery, or Bonnard’s palette throughout seem less homages to a familiar catalogue of forebears than a hijacking of motifs and discourses that defined late 19th-century plein air painting in order to redirect them toward her own distinctive pictorial goals.”

— on Lumin Wakoa, Brooklyn Rail, November 2021